Edmund’s body was buried in a wooden chapel near to where he was killed, but was later transferred to Beadoriceworth, where in 925 Athelstan founded a community devoted to the new cult. Thirty years after Edmund’s death, he was venerated by the Vikings of East Anglia, who produced a coinage to commemorate him.

  In the 11th century a stone church was built at Bury, and Edmund’s remains were translated to it. The shrine at Bury St Edmunds became one of the greatest pilgrimage locations in England and the town retains St Edmund’s name to this day.

  In the earliest centuries all vestments were white – the white of baptismal purity and of the robes worn by the armies of the redeemed in the Apocalypse, washed white in the blood of the Lamb. As the Church grew secure enough to be able to plan her liturgy, she began to use colour so that our sense of sight could deepen our experience of the mysteries of salvation, just as incense recruits our sense of smell and music that of hearing. Over the centuries various schemes of colour for feasts and seasons were worked out, and it is only as late as the 19th century that they were harmonized into their present form.