The Lord has truly risen, alleluia.
Year: A(II). Psalm week: 1. Liturgical Colour: White.
In other years: Saints Philip and James, Apostles
Philip was born at Bethsaida and started as a disciple of John the Baptist. After the Baptist’s death he followed Christ.
James the son of Alphaeus is called “James the Less”, to distinguish him from James the son of Zebedee. James “the brother of the Lord” ruled the Church at Jerusalem; wrote an epistle; led an austere life; and converted many Jews to the Faith. He was crowned with martyrdom in the year 62.
Jerome held these two Jameses to be the same person, and this was certainly the prevailing opinion when the feast of Philip and James was instituted in 560. Nowadays scholars prefer to divide them, in which case we might think of today as being the feast of Philip and James and James.
About the author of the Second Reading in today's Office of Readings:
Second Reading: St Maximus of Turin (- 420?)
Maximus was born in the late 4th century in northern Italy. He is considered to have been the first Archbishop of Turin, and historians put his death around 420, although a wide range of dates have been proposed.
A large number of homilies, sermons and treatises by Maximus survive, covering the seasons of the Church’s year and also the feasts of particular saints. Their ornate late-Imperial style is not always to modern taste, but they are often short and to the point and they provide valuable evidence of Christian practice and belief at that time.
Liturgical colour: white
White is the colour of heaven. Liturgically, it is used to celebrate feasts of the Lord; Christmas and Easter, the great seasons of the Lord; and the saints. Not that you will always see white in church, because if something more splendid, such as gold, is available, that can and should be used instead. We are, after all, celebrating.
In the earliest centuries all vestments were white – the white of baptismal purity and of the robes worn by the armies of the redeemed in the Apocalypse, washed white in the blood of the Lamb. As the Church grew secure enough to be able to plan her liturgy, she began to use colour so that our sense of sight could deepen our experience of the mysteries of salvation, just as incense recruits our sense of smell and music that of hearing. Over the centuries various schemes of colour for feasts and seasons were worked out, and it is only as late as the 19th century that they were harmonized into their present form.