He arrived in Cartagena, in what is now Colombia, in 1610, and after his ordination six years later he became ‘the slave of the Negroes forever’, labouring on their behalf for 43 years, attending to both their spiritual and material needs. The slave trade was repeatedly condemned by the Popes; but it was too profitable to be stopped and on the whole the local church hierarchy kept quiet about it, much as they did in North America in the 19th century.

  He brought fresh food to the slave-ships as they arrived, instructed the slaves and baptized them in the faith, followed their progress and kept track of them even when they were sent to the mines and plantations, defending them as well as he could from oppressive slave-owners. He organized teams of catechists who spoke the many languages spoken by the slaves. He worked in hospitals also, looking after lepers among others, and in prisons.

  Naturally he made himself unpopular by his work: as his superior said, ‘unfortunately for himself he is a Catalan, pig-headed and difficult’. Opposition came from both within the Church and outside it, but there were always exceptions. For instance, while many fashionable ladies refused to enter his city churches because they had been profaned by the presence of the blacks, a few, such as Doña Isabel de Urbina, became his strong and lifelong supporters.

  At the end of his life he fell ill with a degenerative disease and for four years he was treated neglectfully and brutally by the servant whose task it was to look after him. He did not complain but accepted his sufferings as a penance for his sins.

  See also this web page, and also the articles in the Catholic Encyclopaedia and Wikipedia.

  In the earliest centuries all vestments were white – the white of baptismal purity and of the robes worn by the armies of the redeemed in the Apocalypse, washed white in the blood of the Lamb. As the Church grew secure enough to be able to plan her liturgy, she began to use colour so that our sense of sight could deepen our experience of the mysteries of salvation, just as incense recruits our sense of smell and music that of hearing. Over the centuries various schemes of colour for feasts and seasons were worked out, and it is only as late as the 19th century that they were harmonized into their present form.