Whenever we take up a Bible we touch Irenaeus’s work, for he played a decisive role in fixing the canon of the New Testament. It is easy for people nowadays to think of Scripture – and the New Testament in particular – as the basis of the Church, but harder to remember that it was the Church itself that had to agree, early on, about what was scriptural and what was not.

  Before Irenaeus, there was vague general agreement on what scripture was, but a system based on this kind of common consent was too weak. As people meditated on the intolerable event of the Redemption, dissensions and heresies inevitably arose, and reference to scripture was the obvious way of trying to settle what the truth really was. But in the absence of an agreed canon of scripture it was all too easy to attack one’s opponent’s arguments by saying that his texts were corrupt or unscriptural; and easy, too, to do a little fine-tuning of texts on one’s own behalf.

  So Irenaeus went through all the books of the New Testament, and all the candidates (such as the magical pseudo-Gospels, and the entertaining and uplifting novel The Shepherd of Hermas). He did not simply accept or reject each book, because his enemies could have said that he was doing it to bolster his own arguments: he gave reasons for and against the canonicity of each. Irenaeus’s canon of scripture is very nearly the modern one (he does not quote from three of the short universal epistles), but more important is the fact that he started the tradition of biblical scholarship.

  Irenaeus had to fight against the Gnostics, who believed that the world was irredeemably wicked, and against the Valentinians, who claimed to be possessors of a secret tradition that had never been written down but passed from master to disciple through the ages. This pessimism and this arcane élitism remain with us even today, and each generation must renew the fight against them. Let us pray for the inspiration of St Irenaeus in our battle.

  See the article in the Catholic Encyclopaedia.

  In the earliest centuries all vestments were white – the white of baptismal purity and of the robes worn by the armies of the redeemed in the Apocalypse, washed white in the blood of the Lamb. As the Church grew secure enough to be able to plan her liturgy, she began to use colour so that our sense of sight could deepen our experience of the mysteries of salvation, just as incense recruits our sense of smell and music that of hearing. Over the centuries various schemes of colour for feasts and seasons were worked out, and it is only as late as the 19th century that they were harmonized into their present form.